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After Goya

Hola! Old friend . . .You, whose vision I’ve chased for years . . . As one from the plains who bears witness with his hands & blood in his throat . . . who speaks of the evil that men do & of the caller who knocks at every door . . .

Each day the donkey bears its burden of greed but here
in Goya’s ‘night of the soul’

the corrupt haul each other on their backs & hurl their
spears & pierce their own plump cocoons &

the dead will carry the dead / here where his monsters
gorge on the torsos of kids & his priests walk a tightrope
between their lies &

elegant women tease & flirt & are wrenched from their
mother’s tit & here a raging stallion tears her flesh &

she’ll wear a mask to hide her scars & the hag will follow
& sweep her up on a broom & sail over night &

here she’ll feed on dragon’s blood & dung & prefers a
goat to a man & have him mount & . . . & here

the war tears out the country’s throat & mutilates &
castrates & ties the bleeding parts to a tree . . . & here

a women who plucks the teeth of the dead & dogs that
gnaw the guts in the pit & here the headless corpses rot ...

& Francisco de Goya will not be satisfied – here . . . &
neither will we turn away . . . escape

the gapping & the gawking mouths . . . the grisly . . . hush.

             

                                             ***

(The following 'poems' are in response to Goya's drawings:

The Disasters of War

Page 7

On his knees the lone man begs to be led away.
His wide white eyes stare into a sky
all mottled & black.
He knows the future holds no salvation
in the swirl of gas & scarlet rain.

Page 11

Skirt stained with shit & blood of the fallen &
the seeping earth / she keeps the cannon
fire lit turns night to day.
‘Que Valor!’ callsGoya.

Page 13

They’ve tied your hands & covered your eyes
so you cannot see those who raise the rifles, or
him who ordered your death & hides in his
bunker his cock being sucked by your wife or
maybe your daughter too.

 

 

Overview
Barcelona Diary
It's Mother's Day
By Dawn's Early Light at 120 Miles Per Hour
Stiletto
The Man With His Back To The Room
Intimacies, Prose. Poems and Stories
After Goya
Escapades
Improvisations