‘It was never meant to happen’ tells her tale with tear-filled eyes & a slight stutter. She of the priesthood. She of the Book. She of the League of Social Order. The congregation fidgets in their folding chairs & occasionally one or another will cough or take a sip from a hidden flask & on & on she goes. Seemingly, there is no reasonable explanation & when she’s through, ‘he of the four stars’ promises to find those who would bring this hell to our people. Promises to undo what has been done. To make up for lost time & the lies that have been spread. He seems sincere. Not like his orderly, ‘he who casts the first stone’. We’ve known him from years past. Racing by in his Aston Martin & secretly messing around with our women & young girls. Some say, there’s a bounty on his head. As of tonight, no one has attempted to collect.
After John Zorn’s Masada (Live In Taipei) 1995
Disc #1
What does one call the ones who breach the gates, the ones who whip the dispossessed, drag our young women behind the wall to shame them with their fondling? What is there in our slim vocabulary to drive pain up the spine, to churn the bowels, cause the retching blood? Shebuah! & spit in the dust between their feet. Shebuah! & raise a furious fist that will never be mistaken for peace. Shebuah! & burn their first born behind their eye . . . where they are sure to find them crisp & cold.
Shebuah – Curse – An Oath
After: Terry Riley’s Cadenza On The Night Plain
It’s the song she sings in his ear as he strokes her tender bristles, licks. It’s the song she sings in his ear as he strokes her tender bristles, licks the nipple that grows taut & dark under his kiss. & as he reaches into her to find that elusive spot she gasps as if to say Yes, you’ve found your way & his touch heats & her breath stiffens & his fingers & her lips & soon the stroke is urgent & her body reaches up to meet him & opens for him & she chants in tongues that reach back to the beginning, to the first man & the first woman, when it was new & sometime, even now, new again . . . . .
After Fred Lerdahl’s String Quartets – No.1
To be certain. Relax. Think about that time in Oslo. She was to meet you. Yes. That was a time. No. She never came. What’s the use? Not now. Follow the yellow butterfly. Take a sip from the bottle. Write your name in the snow. Forget to forget. Mother’s milk. Some other time. Remember Copenhagen? Saturday night. No stars. Gobbledygook. Cornpone. Or was it porn? The message is clear. Random notations. After all. That’s right. Summertime. Too. Don’t squander the moment. Sizzle & squeak. Speak to the man in the moon. Rattle be damned. Centipede. Some other time. Say it ain’t so. Remember Chicago. 1957. Charley McCarthy. The Rubicon. Notes in the book directed you to swim to the watermelon. Must have been a dream. Summer is sinister suspense. Never did like her. Always made me nervous. With those scissors. Suck-it-up. On North Avenue. Remember? She’s on your handlebars. That sweet ass. What was her name? Maria? No. Clair Ann? No. MaryAnn. That’s it. MaryAnn. Right you are. Take a break. Start again tomorrow . . .